PRIVATE COLLECTOR EDITION Pre-order editions · Estimated release December 2026
Alice in Wonderland Art
← Participating Artists

THE ORIGINAL ILLUSTRATOR · 1820–1914

John Tenniel

The line that gave Wonderland its face.

John Tenniel’s 1889 self-portrait, showing his moustache and formal jacket in fine engraved lines
Self-portrait, 1889 · From a pen drawing by John Tenniel
Reproduced in The History of Punch (1895). Wikimedia Commons ↗
THE ARTIST

A world
in a line.

John Tenniel (1820–1914) was a British illustrator and political cartoonist. His long career at Punch helped shape Victorian visual culture, but his illustrations for Alice’s Adventures in Wonderland and Through the Looking-Glass gave him a lasting place in readers’ imaginations. His expressive figures bring theatrical poise to the most improbable situations. Knighted in 1893, he remained closely associated with the precision and character of his line.

Alice, the White Rabbit, and the peculiar company of Wonderland remain inseparable from his exacting line and expressive characters.

Read the V&A biography ↗
IN THE COLLECTION

Wonderland, on paper.

Six of Tenniel’s illustrations are being returned to paper by Black Iris Art Gallery using genuine early-20th-century printing plates. These are later production artifacts, not Tenniel’s original drawings or the original 1865 woodblocks.

John Tenniel’s original illustration of The Gryphon — reference image

JOHN TENNIEL · ILLUSTRATION REFERENCE

The Gryphon

The Gryphon rests with its wings folded, before the Mock Turtle’s story.

Black Iris print edition · $325
Pre-order · Estimated release December 2026; timing is tentative.

View Print Details ↗
John Tenniel’s original illustration of Alice and the Tiny Door — reference image

JOHN TENNIEL · ILLUSTRATION REFERENCE

Alice and the Tiny Door

An impossible little doorway, and the promise of another world.

Black Iris print edition · $500
Pre-order · Estimated release December 2026; timing is tentative.

View Print Details ↗
John Tenniel’s original illustration of The White Rabbit Running Late — reference image

JOHN TENNIEL · ILLUSTRATION REFERENCE

The White Rabbit Running Late

An anxious White Rabbit sets a remarkable adventure in motion.

Black Iris print edition · $550
Pre-order · Estimated release December 2026; timing is tentative.

View Print Details ↗
John Tenniel’s original illustration of The Mouse’s Tale — reference image

JOHN TENNIEL · ILLUSTRATION REFERENCE

The Mouse’s Tale

Alice and the assembled creatures listen to the Mouse after the Caucus Race.

Black Iris print edition · $325
Pre-order · Estimated release December 2026; timing is tentative.

View Print Details ↗
John Tenniel’s original illustration of The Mad Tea Party — reference image

JOHN TENNIEL · ILLUSTRATION REFERENCE

The Mad Tea Party

The Hatter and March Hare put the sleepy Dormouse into a teapot.

Black Iris print edition · $550
Pre-order · Estimated release December 2026; timing is tentative.

View Print Details ↗
John Tenniel’s original illustration of Father William — reference image

JOHN TENNIEL · ILLUSTRATION REFERENCE

Father William

Father William turns a somersault at the doorway, to his son’s astonishment.

Black Iris print edition · $275
Pre-order · Estimated release December 2026; timing is tentative.

View Print Details ↗

Original illustration references are shown here. Photographs of the new finished impressions are forthcoming.

THE STORY BEHIND THE ILLUSTRATIONS

From story
to impression.

1862

A story on the river

Carroll’s diary records the boat trip of 4 July 1862, when he told a story to Alice, Edith, and Lorina Liddell. That story became Alice’s Adventures Under Ground, the handwritten beginning of Wonderland.

British Library · Carroll’s diary
1864

The illustrator enters

Carroll first illustrated his own manuscript. For publication he turned to John Tenniel, whose theatrical characters and precise drawing had made him a celebrated contributor to Punch. Their collaboration gave the story its enduring visual identity.

Victoria and Albert Museum
1865

An impression worth getting right

The first edition was withdrawn after Tenniel objected to the quality of the printing. Even at Wonderland’s beginning, how an illustration reached the paper mattered.

Bodleian Libraries
THE CRAFT

Many hands behind the line

Tenniel’s drawings were translated into wood engravings by the Dalziel Brothers. Metal copies of the engraved blocks let publishers print the illustrations. Drawing, engraving, and printing were distinct crafts working together.

The Met · Alice’s Adventures in Wonderland